“Film fans... should line up to see Megan Doneman's riveting Yes Madam, Sir... chronicling the life and groundbreaking achievements of Kiran Bedi, the first female police officer in India... The result dazzles: a depiction of enviable heroism within a flawed and recognizably human persona”
LA WEEKLY & VILLAGE VOICE, NYC, Ernest Hardy
“YES MADAM, SIR is an enthralling chronicle of Kiran Bedi’s brilliant, tempestuous career as India’s first elite policewoman. Granted unrestricted access to Bedi for six years, Aussie doc maker Megan Doneman has created a dynamic and editorially rigorous profile of this adored public figure, whose radical methods and running battle with bureaucracy made headlines from 1972 until her retirement in 2007…debutante Doneman multitasks with distinction…”
VARIETY, Richard Kuipers
“Megan Doneman’s YES MADAM, SIR was singled out as best documentary and also picked up the Fund for Santa Barbara Social Justice Award, at the 2009 Santa Barbara Film Festival.”
THE HOLLYWOOD REPORTER, Gregg Kilday
“Sure I enjoyed Kate Winslet and Penelope Cruz talking the about their approaches to acting, but nothing had the emotional and inspiring impact of YES MADAM, SIR, a true story in which a woman named Kiran Bedi valiantly fights to reform India’s police service.”
THE SANTA BARBARA INDEPENDENT, Barney Brantingham
“The 7th Annual Indian Film Festival Of Los Angeles will pay tribute to Bollywood star Anil Kapoor, now famous in the west for his role in Slumdog Millionaire. The festival will close with Megan Doneman’s documentary YES MADAM, SIR...YES MADAM, SIR profiles Dr Kiran Bedi, the first woman to join the Indian Police Service and a controversial and inspiring figure in India.”
SCREEN DAILY, Jeremy Kay
“YES MADAM, SIR is a brilliant documentary made on Kiran Bedi’s life, directed by Australian, Megan Doneman. The film premiered at the Toronto Int’l Film Festival, 2008, where it earned huge popularity.”
INDIANETZONE, Meenakshi Saksena
“Australian filmmaker Megan Doneman has produced a gem. It doesn’t hurt that the central character is a charismatic symbol pf almost Joan of Ark proportions. A stirring, inspirational film."
CASA Magazine, Alex Henleloff