“...Megan Doneman has created a dynamic and editorially rigorous profile of this adored public figure, whose radical methods and running battle with bureaucracy made headlines from 1972 until her retirement in 2007....Carrying her own camera and editing her pictures, debutante Doneman multitasks with distinction.”
— Richard Kuipers, Variety
“...But Sir isn't pure celebration; the egoism beneath Bedi's altruism, and the self-absorption that costs Bedi's daughter and husband dearly, are also shown. The result dazzles: a depiction of enviable heroism within a flawed and recognizably human persona.”
— Ernest Hardy, Village Voice

